Dollhouse Accessories
Dollhouse accessories may just be the best part about the activity of building a dollhouse. Whatever there is in real existence, there is almost without doubt a lesser counterpart which can be found. Whether for your dollhouse floor plan or one of your dollhouse bedrooms, dollhouse accessories similar to books, blankets, chairs, as well as more can all be found. These amusing accessories also make it probable for you to easily modify the mood to go with the season within your dollhouse if you so desire. For example, a Christmas trees in addition to some presents in the living space of your Dollhouse makes for the perfect surroundings and you can do this no matter what time of year it is. Dollhouse accessories are amusing and if you discover a wonderful source to get them from, your excitement will likely by no means discontinue.

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Out of the characteristics you should examine in some depth, simple usability is the main one. The software could be the most amazing you’ve seen – but without being able to use it, it’s worth nothing to you… Your electronic brochure should be important enough to you for you to test out several providers. In producing an online publication you also need to think about security. Is your creativity protected? Can the content be protected? Can people just copy-paste your content or has the digital publishing software vendor anything in place peventing such things? Is content secure from copy-pasting by readers? Has a business strategy been produced? Whatever your business plan may look like, you’ll should think about such matters, possibly not for each issue but instead for the company overall. How will the business use modern media? What thought has been given to dealing with adverts? Thinking about search engines will also be very important when considering marketing your electronic magazine. Will the content only be made accessible for free? You might think of offering a variety of subscriptions. Will your content be commercialized at all? How about using summaries and teasers to sell your online publication? What’s the accessibility of your brochure? Is it private: then you can look into many hosting possibilities or will it be public? In which case you will be best hosting directly with your vendor. What is your plan about back-issues? Tech-support is a big consideration in the selection of vendor. Are you able to call in or email anyone with problems? How long will tech-support response time be? Examine whatever FAQ sections are there. Don’t wait to check to check out the level of tech-support. This final decision in hosting service could ruin your zine. Google the term “Zmags” for more pointers.

Further major decisions you need to make are safeguarding security. Now you should be worrying about hackers and spammers. Think about what protection is available for your ebrochure. Does the digital publishing software supplier have anything to prevent individuals copying and pasting your words?

When you’ve produced an electronic brochure you should make up a business plan. Has networking media consolidation been considered? Advertisements should be thought about. These things are not totally essential for every publication, but you’ll certainly need to choose one that complements your business plan. Up to date marketing techniques mean thinking about search engine demands as you edit your content.

When making an online publication, you’ll be dealing with former editions. What will the availability of the brochure be? Without public availability then you have unlimited hosting alternatives and you need to look into a range of hosting possibilities. Will content summaries be shared to publicize this interactive catalog? Some solutions need to be thought about in advance before having an emergency. Namely, technical support. How is their FAQ page? Is there any sort of tips list which you can actually use? Do they commit to any response time? Try calling their hotline to test it out. This is admittedly a case of last not least consideration. You certainly don’t want to discover the hard way that they’re actually attempting to cut corners at your expense here. Your decision-making is being tested – make your decision with care. The success of your publication is totally contingent on your choice of provider.

Score another for the vanity presses. The poor authors, with no knowledge of the business end of publishing, have been snookered out of hundreds or even thousands of dollars and now have cases of unmarketable books serving as very expensive doorstops.

In these days of POD (publish-on-demand) technology, the vanity presses may promise to ship the books when they are ordered, which at least relieves the author of having to warehouse the books. But the vanities still charge large amounts of money and the author is still left with an empty bank account and shattered dreams.

Or worse. Some scammers take money from hopeful authors and deliver nothing at all.

The good news is that with a little knowledge, it isn’t too hard to spot a scam. Here are some obvious red flags to look for:

Red Flag #1: “We’ll publish your book for ONLY $595!”

Remember this one rule above all: legitimate publishers pay YOU for the rights to publish your book. You should never have to pay anyone to publish your work unless you choose to self-publish.

To get a book published, you have to write the very best book you can. You must study the market, and use a current market guide to select the most appropriate publisher. You submit your manuscript using a standard manuscript format, which is described in most good books on writing and publishing. While you wait for a reply, you go to work on your next project. If a publisher is interested, an editor will contact you and make an offer. The publisher will pay you an advance against royalties, and once the advance is earned back, you will earn royalties on further sales. You or your agent may also sell other subsidiary rights, such as foreign translation rights or movie rights. Chances are high, however, that your manuscript will be rejected. If that happens you select the next publisher on your list and send the manuscript there, then go back to work on your next project.

If you want to self-publish, the best way to go about it is to create your own small publishing company. You give your company a name, you choose a good printing service, you buy the ISBN number and file for copyright. If you pay for “publishing,” but the book bears the imprint of another publisher, that company is a vanity publisher. A good printing service will encourage you to use your own imprint. You have a much better chance of getting a distributor to carry your books if you use your own imprint. Most distributors steer clear of vanity publishers.

If you want only a few copies, such as a memoir meant only for family, look for a good book binding service.

Red Flag #2: “Authors wanted by major publisher!”

No legitimate publisher ever has to advertise for authors. All major publishers have gigantic slush piles stacked high with far more manuscripts than they will ever be able to use, most of which are of poor quality. If you see an ad in the back of a magazine that offers to “publish” your book, or suggests that they “need” authors, chances are high that it is a vanity press.

Red Flag #3: “We know the secret for instant success!”

There is no “instant success” in the publishing world. Most famous authors worked hard for years to become an “overnight success.” Sometimes a lucky break will propel a new author to the top of the bestseller list, but remember, their story is just one out of millions. Most authors never get that kind of fame. If the opening page of the site talks about how your book could be a best-seller, be cautious. Real publishers don’t make those kinds of promises, because they know the reality of the publishing business.

Red Flag #4: “Traditional publishing is dead/a rip-off/not worth your time.”

A publishing company that disparages traditional publishing is almost certainly either a vanity publisher or an outright scam. What they are disparaging are long-established honest businesses that carefully select the manuscripts that are most likely to sell and pay the authors for the rights to publish these works.

Red Flag #5: “We’ll list your books on Amazon.com!”

Getting your book listed on Amazon.com is as easy as going online and filling out a form. Anyone can do it. And a listing on Amazon isn’t a guaranteed path to success. Even in this day and age of online commerce, something less than 10% of all books sold are sold online. The vast majority of books are sold through bricks-and-mortar bookstores. While you may possibly be able to talk your local bookstores into carrying your self-published book, the only way to get it into bookstores across the nation is by getting a distributor to carry it. That can be expensive (which is one reason that the vanities don’t bother with distribution), and distributors won’t touch vanity books (which is the other reason). Distributors and bookstores also don’t like POD (publish on demand) books, because they can’t be returned if they don’t sell. Booksellers, unlike most businesses, expect to be able to return or destroy unsold books and get their money back. It sounds crazy to other businesses, but that’s how it is. If the publisher can’t offer distribution services to get your book into bookstores, it’s not a publisher that will serve you well.

Red Flag #6: Bad review on Preditors and Editors and Writer Beware

Yes, it’s really spelled that way, for alliterative purposes. Preditors and Editors is a website chock full of scam warnings and wise advice to writers. Writer Beware, on the Science Fiction and Fantasy Writers of America website, has a list of current scam alerts. Both are useful when researching a potential publisher. If any publisher disparages either of these sites, beware!

If you can spot these red flags, you can avoid most publishing scams. The best way to protect yourself, though, is to educate yourself about the publishing industry. Read as many books on writing and publishing as you can get your hands on. Find out how the industry works, and find out how to market your work in the genre you are writing for. Stay abreast of industry trends by reading Publisher’s Weekly or visiting their website. With a little education, you can help put the scammers out of business.

Karen E. Bledsoe is a children’s book author, and has written many books for the school and library market. For more information on writing for children, see her website at http://www.gkbledsoe.com

What makes a presentation given by two people good, along with being worthwhile, not only for them, but also for the audience?

Preparation, preparation, preparation. It was extremely evident that the two men who were working together – they bill themselves as “brothers” – were both well prepared for their portion of the program. They were also, however, prepared for the parts they shared. It wasn’t just one person’s show, followed by the other person’s show. They were working together.

Timing is more important than ever. When two people are presenting together, they must know exactly how much time to devote to their part and/or parts of the time allotted. If one goes way over, it will detract from the other’s portion, because the audience will feel they were cheated out of information. A clever way to handle this and keep the audience aware of the time was the way the first “brother” presenting asked the second “brother” to keep track of the time and give him a signal when it was time for him to wind down. As the second “brother” started, the first one unobtrusively switched the connection to the projector from his laptop to his brother’s.

Be comfortable with each other. One of the most important factors that made this presentation such a complete success was that these two men exhibited such an easy camaraderie with each other. They joked with each other – but not too much. They listened to each other (even though I am sure that they have heard this material many, many times before – they travel the country doing these presentations). Most of all, they appeared to sincerely like each other. The rapport they had with each other multiplied into establishing an easy rapport with us, the audience.

Even if your personalities and presentation styles differ, it is imperative that each of you is a powerful presenter. The two men who were so impressive could be brothers (I have a feeling they aren’t), but they were similar in looks, the way they dressed (appropriately for the type of meeting they were attending), and both were equally excellent presenters. Both had enough pizzazz and polish that neither outshone the other – even though I was more interested in the software programs attacked by the second brother, I still enjoyed the first presentation as much.

Yes, co-presenting with another can create a challenge, but can also – when done well – give you and your listeners a powerful presentation to remember. Try it. You will be glad you did.

The key to overcoming this fear is to recognize what makes you nervous. We are afraid of making a fool of ourselves in front of an audience. We take one look at other seasoned speakers and conclude, “I can never be that smart”. The truth is we don’t need to be outstanding to be a successful speaker.

If you have a fair idea of what you want to say, say it to the audience in a simple and sensible way. Get your point across by dividing the topic into two to three major points and embellish a little on each point. Rehearse the speech well in advance and practice it in front of your family and friends.

Make sure you have a hard copy of the speech in front of you. Even the best of us forget what we were or want to say. A backup gives confidence as do index cards with important points bulleted.

Remember to be yourself while giving the speech. Use your normal body language and disposition. Trying to be a bit jovial if you have a serious, but not heartbreaking, countenance. The audience is generally kind and will listen even if the speaker is moderately good

Imagining making the most inspiring speech can be a great motivator. Experiment with a small audience with a rehearsed speech. Impromptu speeches will come later.

Public Speaking provides detailed information on Public Speaking, Fear Of Public Speaking, Public Speaking Tips, Public Speaking Training and more. Public Speaking is affiliated with Topical Sermons.

Fiction has Dan Brown’s Da Vinci Code, the second of three books (or trinity) questioning age old tenets and beliefs. The author takes the reader on a rollercoaster ride of codes, mysteries, puzzles, and conspiracies with a novel that is part detective, part thriller and part conspiracy theory, interspersed with hypothesis concerning the Holy Trinity, the Holy Grail and the role of Mary Magdalene in Christian history. It is a different matter that Dan Brown deviates from the truth, but as popularity charts go, he has managed to be on the best seller’s list.

Trinity can also be a set of authors complementing each other, as the study or research of one author necessitates the study of other two. The nineteenth century had trinity authors Ralph Waldo Emerson, Henry David Thoreau, and Walt Whitman, who all complement one another; during the forties and fifties, there was a trinity of Black authors Richard Wright (Native Son), Ralph Ellison (Invisible Man), and James Baldwin, who wrote Notes of a Native Son in direct response to Wright’s book. The American trinity of life, liberty, and the pursuit of happinessin all its connotationswas showcased by different sets of authors throughout the centuries.

If we go by religious sentiments, then trinity is not only about the number three, but about the Holy Grail and Christian way of living. American authors responded to the call of their hearts and spirits. J. Stephen Lang (1,001 Things You Always Wanted to Know About the Holy Spirit), Norman Mailer, Martin Marty, Nora Gallagher, Frederick Buechner, Alan Jones, and Richard Gillet have all written about their experiences of the religious or spiritual kind.

Authors provides detailed information on Authors, Black Authors, Trinity Authors, Book Authors and more. Authors is affiliated with Calligraphy Fonts.

Some online article submissions wish to prevent and ban all miss spellings in the title of their articles to prevent these folks from “gaming” the search engines. But in doing so they might hurt other authors and this is why I completely disagree and believe miss spellings should be allowed. Because many people miss key strokes and then end up having to re-submit the search.

Besides there are many common miss spellings, which are so common that they are considered normal and where do you draw the line anyway. Not to mention that the English versions of words are often different slightly and you might miss all those potential article views. I think linear and stupid people often want to make rules before they think through the repercussions of the rules they make.

For instance BioDiesel is not a word in the dictionary. Bio Diesel shows up as correct but most articles in science use BioDiesel and so let’s say you allow this either way. You just broke your stupid rule. Now do you see why I am opposed to making such a rule? Consider all this in 2006.

“Lance Winslow” – Online Think Tank forum board. If you have innovative thoughts and unique perspectives, come think with Lance; http://www.WorldThinkTank.net/wttbbs/

Yet, there are little recognized truths (secrets) which destroy the myths that keep you from realizing your book dream. Here are the top eight secrets to help you write the book you have always wanted to write, now:

Secret #1 Know now is better than later.

Winning writers know how to overcome the giant called procrastination. Have you ever met anyone that said, “I wish I never wrote my book.” I only meet people who say, “I wish I had written my book sooner.” Apply time management skills with this book’s easy writing program and get your book out quickly so that you can start profiting from your knowledge now.

Secret#2 Develop one central thought with a marketing emphasis

Winner selling books focus on one main concept. To write focused compelling copy for your book select a central thought and write each chapter to support that central thought. Include strategic marketing points before and throughout your manuscript. At the end of your project you will have a well written book ready to sell.

Secret#3 Choose a topic you are passionate about

Successful writers select a subject they are passionate about. They realize they can overcome all obstacles with persistence and passion. Choosing a topic you are passionate about will make research and fact gathering a joy because you are constantly finding out new and interesting facts about something you love. Well maybe not a joy for everyone but at least it will make it easier.

Secret#4 Recognize a successful book is part of a journey

Writers who win know writing a book is just a part of an interesting journey. Discover in this book how to write it simply, organized, with passion and lots of profit. Your journey will be enjoyable, stress-free and in less time as half or even one-third.

SUMMARY

The truth is there are no more legitimate reasons to not get started writing your successful book. Implement the above steps and write the best book you’re capable of. Pair up with a book coach and do it now! For now is better than later.

© Earma Brown, 11 year author and business owner
helps small business owners and writers who want to write their best book now! Author of “Write Your Best Book Now”, she mentors other writers and business professionals through her monthly ezine “iScribe” Subscribe now at
iscribe@writetowin.org for FREE mini-course ‘Jumpstart Writing Your Best Book’ or visit WritetoWin.org

The first thing you have to do is identify what type of writer you are. Every area of writing, whether it be song writing, fiction writing or technical writing, has a different avenue that needs to be traveled in order to get where you want to go. Most likely if you’re writing for the first time and have never been published you have no clue where to even go or who to approach to get your work published.

In that case the first thing you have to do is research. This can be done in book stores, libraries or even on the Internet, which is probably the most convenient place to start. Simply go to a search engine and type in “How to get started as a…” and fill the rest in with whatever type of writer you are, such as songwriter, fiction writer, technical writer and so on. Your search will turn up a number of results including articles on the subject and organizations for each type of writer. Read as many of these as you can. Yes, it is a lot of work and very time consuming. But think about how much time you spent on your finished work. It’s going to take at least that much time if not longer to get it published.

In the course of your search you’re going to find instructions on submitting your work, whatever it is. If it’s of a musical nature you will probably be asked to submit a CD of your recording. You may also be asked to submit the actual sheet music. If you’re not a technically trained person and don’t know how to transcribe music, there are two options open to you. You can either go to a service that will transcribe recorded material onto sheet music or you can buy software that will do this for you. Good software will cost a pretty penny, so make sure the cost is justified by how much you will save if you had each of your songs transcribed by a service. When you eventually get around to submitting your work, make sure you follow the instructions to the letter. Because of the number of submissions these companies get, they look for reasons to reject your work. Don’t give them even one.

Most companies say it will be 4 – 6 weeks until you hear something. Be patient. Don’t call up and ask if they got to your material. They’ll get to it when they do. If you should get a rejection letter back, don’t let it get to you. You will get a hundred of them before you get your first acceptance letter. Hopefully, the letters will come back with constructive criticism as to why you were rejected, though most will simply say, “Not what we are looking for”. If you do get comments, take them seriously and work on what they feel you need to work on. These people are the experts. They know.

If however, you do get your work accepted, make sure you follow all instructions they give you. If they want you to fly out and meet with them you book that flight yesterday. If they send you a contract to sign, get a lawyer immediately. If they say jump, you say “How high and how far?”.

Breaking into the business of writing is harder than you can possibly imagine. Once you get that opportunity, the words “I don’t want to do that” better not be part of your vocabulary.

This may be the only chance you get.

Michael Russell

Your Independent guide to Writing Tips